La elección de Izak

Domingo, Agosto 16, 2015

Cortometraje llevado de la mano de Luc Plissoneau, el cual nos hace garbear por la caminería solitaria de un pianista –Izak- que intenta traspasar los límites de su escenografía para llegar a convertirse en concertista; sin embargo las señales que le envía el Universo son contrarias a sus deseos.  Todos los intentos han sido aniquilados por jurados (clasistas y estereotipados de edad aventajada, que parecen no apuntar realmente por nuevos talentos o estar abiertos a revoluciones primigenias que cambien el curso de lo establecido) sino más bien apegados a mantener los viejos órdenes.  Lo aparentemente seguro.

Hasta que se apersona un estímulo, fresco y potente.  Una chica joven llena de entusiasmo, inocencia sabia y templanza de carácter. La relación entre ellos, profesor y alumna, donde pareciere haber un renglón vaporoso, no llega ni siquiera a contenerlo propiamente. Se crea una flexibilidad entre aprendiz y veterano que se pierde en los márgenes de la experiencia de cada uno.  La chica viene a jugar un rol de frescura, franqueza, comprensión y desinhibición, un tanto idealizados para su edad (16a), pues le ofrecen una generosa madurez activa, despierta y centrada, caracteres que le permite a Izak reencontrarse de nuevo con su yo juvenil, lo cual parece reconectarlo con los valores del ser humano, con la posibilidad de nuevos intentos.  Ella, con su dulzura, le extrae de su sentido de silencio adquirido por lo indeterminado y deshumanizado sin desenraizarlo de su silencio de compositor.  Le impregna, de nuevo, confianza, autoestima, fortaleza, visión.

Factores como el uso de una cartuchera personal, donde lleva doblada la partitura con la que tocará en una audición maestra, reflejan la irreverencia, de nuevo, hacia los elementos estereotipados, excesivamente cuidados, grandielocuente,  basados en la apariencia.
     Excelente manejo de los colores en las imágenes, por ejemplo en la escena que refiere el compartir de una mesa, donde el juego benigno entre los personajes, la risa y el contacto tenue, pero perspicaz, entre ellos, nos recuerda cómo se propician los sueños de dos. Refleja las intenciones y motivaciones que no se deben perder a lo largo del sendero, por muy áspero que éste sea.  Intenta marcar y profundizar  la solidez sobre la que debe erigirse y emanciparse una relación de pareja de manera que ésta sea valedera en el tiempo, y donde la realidad del otro es el señuelo de la imaginería de su compañero/a y viceversa.

Un revés del destino desafía a los protagonistas, llevándola, ahora a ella,  a una disminución de aptitudes, a un margen de incapacitación para su gran sueño:  La música.
     Sin embargo, Luc, aquí, desafía las probabilidades comunes, generalizadas de la victimización y el sin propósito –como cuando sientes que te han quitado todo, o que ya nada es para  tí- y ofrece una particular escena de entrega y exaltación a partir de los valores obtenidos y consumados en una relación sólida.  No sólo refleja en esta escena la capacidad de superarse  a si mismo sino la capacidad incondicional del amor, en donde la fusión con el dolor del otro, la sincronía con su sino, te permite expandir los límites de tu conciencia, ensamblarte a él, y demostrarse mutuamente que hay motivos, formas y posibilidades de recrear de nuevo el sueño.  Esta pareciera ser la tendencia de Luc, ofrecer visiones que le permitan al ser humano, renacer, aún dentro de contornos limitativos; por supuesto para ello, es imprescindible contar con patrocinadores que optimicen los sueños de esos otros, que crean en amores incondicionales dispuestos a cejar su éxito o momento de gloria por un bien mayor, contar con manos sustentadoras llenas de valores y sustantivos fuertes.  Esa  constante de credibilidad y apuesta por un tercero, por lo ajeno, es  por demás una de las grandes premisas que, también, observamos en estos cortos que buscan potenciar el fin del ser humano.

   Nota: AL momento de ser liberado en la base de datos de IMDB, será colocado el link   (posiblemente, primavera del 2011)

  ENGLISH TRADUCTION:

Short film taken in hand by Luc Plissoneau, which makes us to garber the roads of a lone pianist, Izak, who tries to go beyond the limits of its scenery towards becoming a concert pianist, but the Universe sends to him signals that are contrary to their

wishes. All efforts have been annihilated by juries (aged class and stereotyped vantage point, that set this in a place that does not seem really opened to new talents or be opened to primitive revolutions that change the course of the settings) but rather attached to keep old orders. The “seemingly safe”.
As a slogan to keep his mental command, Izak, try to project himself as a piano teacher in his everyday life, but any student who comes to his door will have his consideration or steem, and in the end, he doesn´t want to be a teacher of any subject, in his discrete life, he cannot assess the true feel of what he wants to convey with their music. So, in turn, he is applying the rejection of the collective and the credibility of the other with the same seeds with which he was branded at this time.  He apply inconceivable prices for their potential students and still is looked for the more unusual people, and he continue regularly rejected them, until he is moved by a 16-year-old who uses an unusual element to be taken into consideration: the lack of communication spoken.  For it, she is being related through the written word, and she also was trying to prove both toughness and a protest against the world of the eternally said and barely heard, being against the wishes unfulfilled, the variable flows of streams in lifes, and a pause to think before necessarily keep running before the pressure to achieve the goals, so popular in the current era. To him, it causes this kind of chutzpah grace´s youth, accurate and complex, and the maximum premise of her: to play like Audrey Hepburn make him likely that this can jibe of the world around them.

Their relationship, teacher and student, where it proves to be a steaming row, is not even a proper content. It creates flexibility between apprentice and veteran who loses in the margins of experience into each other. She comes to play a role of freshness, openness, understanding and disinhibition, somewhat idealized for her age (16 years), through she offers a generous active mature, awake and focused, which allows to Izak reuniting again new characters to reshape his ego and connects this with the values of human beings and the possibility of further attempts. With her sweetness, he draws from his sense of silence acquired by the indeterminate and dehumanized uprooting silence as a composer.  She impregnates, again, confidence, self esteem, strength, vision into his life.

Factors such as a cartridge which contains a page that has being carefully doubled where it is the score with which he will perform at a hearing teacher, reflect the irreverence, again, to the stereotyped elements, excessive care, grandiloquent thoughts, based only on appearance.
     Excellent image´s color handling, for example in the scene referred to share a table where the game between the characters, the laughter and the soft touch, but insightful among them we allow us remember how to foster dreams of two. The film try to reflects the intentions and motivations that cannot be missed along the path, however harsh it may be. Try to make and deepen the strength on which to establish itself and emancipate a relationship so that it is valid at the proper time and where the other's reality is the lure of the imagery of his / her partner  and vice versa.
    A reversal of fate challenges the players, leading now to her, a decline of skills to a range of incapacity for his dream: music.
    However, Luc, here defies the odds common, widespread victimization and without purpose, like when you feel that you have taken everything, or nothing is for you, and offers a particular stage of delivery and exaltation from values obtained and consumed in a solid relationship. Not only in this scene reflects the ability to outdo itself but the ability to unconditional love, where the merger with another's pain, synchrony into each other allow us to expand the boundaries of our consciousness and demonstrated that there is another reason, forms and possibilities of recreating the dreams and the dreamers. This seems to be the trend Luc, offer insights that enable the human being recreate their lives, even within the restrictive boundaries; of course, for it is essential to have sponsors who believe in the dreams of those people and unconditional love has to be ready to relent their success and moment of glory for the greater good, to have hands full for sustaining values and strong substantives. This constant of credibility and commitment to a third part, so different from one, it is quite a major premises also observed in these shorts by Luc Plissoneau that definitely seeks to enhance the human being´s characters.

Note: Upon being released in the IMDB database, the link will be placed (possibly Spring 2011)